AStudyontheMentalitiesofComfortWomeninTwentyTwobasedonMultimodalDiscourseAnalysis多模态话语分析视角下《二十二》中慰安妇的心理研究摘要今天，多模态话语分析被广泛地用来分析各种文艺作品，例如小说、戏剧、电影、音乐等。语言学家Kress认为语篇是社会语境中所存在的所有符号系统的总和，不仅包括语言，还包括文字、图像、颜色等视觉符号，还有音乐、音响等听觉符号系统，Kress和Van在韩礼德的语言三大元功能基础上构建了视觉语法理论框架，提出了图像表达的三种意义功能：再现意义、互动意义和构图意义。本文以Kress和VanLeeuwen的视觉语法为框架，研究电影《二十二》的多模态话语分析并最终得出有关幸存慰安妇对于自身经历的真实想法的结论。关键词：多模态；话语分析；视觉语法；电影AbstractToday,wehaveseenthemultimodaldiscourseanalysisisbeingappliedintothestudyofnovels,dramas,movies,music,andthelike.LinguistKressholdsthatdiscoursescontainallsymbolicsystemsinsocialcontext,including,exceptforlanguage,visualsymbols(words,imagesandcolors,etc)andhearingsymbols(music,audio,etc).KressandVanLeeuwenproposedvisualgrammaronthebasisofHalliday'sthreemeta-functions,believingtherearethreemeaningfunctionsinimagerepresentation:representationalmeaning,interactivemeaningandcompositionalmeaning.BasedonVisualGrammar,thisthesiswillanalyzethemultimodaldiscourseanalysisofthemovieTwentyTwo.Finally,wewillknowwhattherealthoughtsofthosesurvivedforce-to-becomfortwomenareinthemovie.KeyWords:multimodality;discourseanalysis;visualgrammar;MoviesContents:Chapter1Introduction1.1BackgroundoftheStudy1.2ObjectivesoftheStudy1.3OutlineoftheThesisChapter2LiteratureReview2.1AReviewoftheMovieTwentyTwo2.2PreviousStudiesonMultimodalDiscourseAnalysisatHome2.3PreviousStudiesonMultimodalDiscourseAnalysisAbroad2.4SpaceoftheStudyChapter3ResearchDesign3.1ResearchTheory3.2ResearchMethodsChapter4DataAnalysisandDiscussion4.1AnalysisoftheMovie----TwentyTwo4.1.1RepresentationalMeaningoftheMovie4.1.2InteractiveMeaningoftheMovie4.1.3CompositionalMeaningoftheMovie4.2TheCombinationofDifferentmodalitiesinthemovieChapter5Conclusion5.1Majorfindingsofthestudy5.2Implicationsofthestudy5.3Limitationsofthethesis5.4SuggestionsforfurtherstudiesReferencesChapter1Introduction1.1BackgroundofthestudyTheyear2017marksthe80thanniversaryoftheMassacreofNanjing,whichrecalledtheworldbacktotheshockingdisaster.Underthebackgroundofthis,themovieTwentyTwohitthetheatrein2017.Previousstudiesonmoviesarenotrare,butthismoviehaslittleresearchers.Thisthesistakesthecomfortwomen-basedmovieTwentyTwointoconsideration.ItwillgenerallyintroducetheresultsofpreviousworksandfocusontheuseofmultimodalitiestoseehowtheyworkinTwentyTwo.1.2ObjectivesofthestudyThisthesistriestoexplorehowmultimodaldiscourseanalysishelpsexplainthemovieTwentyTwototheaudienceunderKressandVanleeuwen'svisualgrammar.Herewewillmainlytalkabouttherepresentationalmeaning,interactivemeaningandcompositionalmeaningofimages.Itistofirstlygivebriefinformationaboutthemovieanditsbackgroundandthenexplainshowmultimodalitiesworkrespectivelyandtogetherforthetargetmovie.Hopefully,itwillprovideanswerstothefollowingquestions:1)Whataretherepresentationalmeaning,interactivemeaningandcompositionalmeaningoftheimagesinthemovieTwentyTwo?2)HowdodifferentmodalitiesworkindisplayingthesufferingsandcurrentstatusofthosewomenvictimsunderVisualGrammar?3)Whatdothecomfortwomenreallyneedaccordingtotheanalysisresultofthemovie,apologiesandcompensation?Orinnerpeace?1.3Outlineofthethes...
