ExperimentalfilmThefilmthatwasmadebyus,whichhasnomuchcuttingtraceinthewholefilm,wecanseeamiddle-agedmanwhoisquietinfrontofthecamerafromthescreen.Hehasnoredundantwordsandnomoreaction,thelensisfocusedonhisvicissitudesface,heevenhasnomuchmorefacialexpression.Butheisourhero，heistheonlyroleinthiseightminutesfilm.Suchamoviemaybedifferentfromthetraditionalsenseofexperimentalfilm;weknowthegeneralexperimentalfilmwhichisalwaysusingsuchasdeliberatelyout-of-focus,jumpcut，orthemontagetechniquetointerpretfilm.Thesearethetechniquesnotappearedinourfilm,wehadalongdiscussionandresearchbeforetheshowbegan,finallywedecidedtoabandonthetraditionalskillsandboldtotrythisonetakestyle,becausewedecidedtotrytouseourownapproachtoreadforexperimentalfilmwhichweunderstoodabout.Theexperimentalfilmistheavant-gardeandcreativeinoureyes,itdoesnotgetboggeddowninaformatoruseafixedmodelikecommercialmovie,itchangesandupdatesintheconstant,itisthemostuncertainlinkinfilmindustry,alsoisthemostrarestylefertilelandforfilmmakertoshowthemselves.Butnomatterwhatmeansofexaggerationandwhatextraordinaryclipsitused,themoviethatreallywantstoconveytousistheimpulseofthedirector'sfeelingfromhisownheart,thesebeautifulappearancejustistheicingtopackthesefeelings.Sothistimeifwewanttopeelofftheclothes,todirectlyshowtheinsidefruittoaudiences,toshowaprimitivetypeofstatetoaudiences,letthesimplestlensdirectlytocollidethesoulofaudience.Wearethinkingaboutthefilmwhenwearemakingit,thepeoplewhoarewatchingmoviearealsothinkingaboutit.Wedon'texpectthattheaudiencescanunderstandthemassagesfromwherewewanttocommunicatethem.Wereallywantthatisthepeople,whocanthinkalonewhentheyarewatchingmovies,lettheireachindividualswillgetdifferentanswersinmovies,Thisisourcoretargettomakethefilm.Thisfilminfactthatisapsychologicaladventurefromstarttofinish.It'sgoingthroughtwopsychologicaltests;thefirstpartisthechainsofheart,thesecondisthemindofself-examine.Thetwopartsinthefilmhavenocleardivision,howtotransitexactlyfromthefirstparttothenextpartisdifferentfrompersontoperson.Suchsaidthatmaybeletthemanypeoplebecomebaffled,soIwanttoexplain,itislikeIsaidbeforethateachpeopleareviewingthisvideowillhavedifferentthinking,becausetheyaredifferentindividuals,itcausethetimewillalsobedifferentwhentheywanderateverystage.Butthisdoesnotaffecttotheanalysisfortwopsychologyprocess,becausenomatterhowtodistributetimesthatwillnodeviationinthisstateoftwoparagraphs.WhydoInamethefirstpartofastheshacklesofheart?Thisshouldtalkfromourmaleleadingrole--themiddle-agedman.......infactheisatemporaryactorfromthestreetwhowespend20poundstohirehim.Actuallyeveryonewasabletodothischaracter,becauseitdoesnotneedanyperformanceskills.Butinordertolettheeffectachievethemostperfect,itWillhavetogiveupourfriends'help,becauseofthestateofvolunteerswhatwedon'tneed.Wepayactorsperformingfee,actuallyitwanttolethimhaveasenseofresponsibility,orwegivehimachain.Sinceheacceptedthemoneyhehastheobligationtobeserioustodothethingsheshoulddo.Allaboutthemanweknewnothing;wealsodidnottounderstanddeliberately.Justasthemanknewnothingaboutus,wedidn'ttellhimthedetailsofthethings,justaskhimtositinfrontofacamerastillandlookatthecameralens8minutes.Theonlythinghewastoldisthatwehopehedidalittlenature,weallknewthatwasnotpossible,itisabsolutelyimpossibletoletamanwhositsinfrontofthecamerawithoutanypreparationtoperformanceasusual.Thisisacameratha...
