目录摘要........................................................................................................................IAbstract.....................................................................................................................II引言.......................................................................................................................11720全景摄影《幻象》创作综述.........................................................................31.1创作背景.......................................................................................................31.2《幻象》作品阐述.......................................................................................32.1720度拍摄创作思路....................................................................................62.2720度全景其他用途....................................................................................73创作过程................................................................................................................93.1创作前期.......................................................................................................93.2创作中期.......................................................................................................93.3后期创作.....................................................................................................174总结......................................................................................................................19结论.....................................................................................................................20参考文献.................................................................................................................21致谢.....................................................................................................................22摘要现代化社会的高速发展，许多拍摄手法接踵而出。作品《幻象》的创作灵感主要是来源于当今社会许多商业运用的720度全景拍摄；720度全景的成果图并不是直接就能拍摄出来的，而是需要许多图片合成的一种景象。摄影不单只是对于现实生活的记载，更是对于艺术更新再缔造的过程，在这点上720度全景拍摄就能很好的展示出摄影艺术创新的多面性。其中《幻象》就是运用几幅真实存在的照片最终组合成了一张720度全景图。作品《幻象》的创作途径就是将几幅作品拼接成了全景镜头，720度全景效果图是前期拍摄出的现实感从而创作成的三维立体结果，这就是要求很多照片进行拼凑的。本文的第一部分介绍了《幻象》的创作构思，阐述课题的探究和创作构思，第二部分阐述了《幻象》的创作根据，阐述了720度商业全景拍摄的概念和用途，第三部分介绍了《幻象》的创作历程，讲述了作者以何种原因创造出了这几幅作品，第四部分是对全文的归纳，创作后的心路历程，归纳了自身对全景拍摄的一些见解和提议。关键词：全景；幻象；合成技术；720拍摄AbstractWiththerapiddevelopmentofmodernsociety,manyshootingtechniquescomeoutoneafteranother.Thecreationinspirationofthework"illusion"mainlycomesfromthe720degreepanoramicshootingwhichisusedbymanybusinessesintoday'ssociety;theresultpictureof720degreepanoramicisnotdirectlyphotographed,butascenewhichneedsmanypicturestobesynthesized.Amongthem,illusionisa720degreepanoramacomposedofseveralrealphotos.Inthefirstpartofthispaper,theauthorintroducesthecreativeconceptionofthephantom,expoundstheexplorationandcreativeconceptionofthesubject,thesecondpartexpoundsthecreativebasisofthephantom,expoundstheconceptan...
