I论文题目:宁浩导演中的底层人物形象研究摘要宁浩是善于隐藏和表达自己观点的。其在自己的多部作品当中,不仅在塑造电影的主角形象方面体现了自己对信仰这一主题的理解,更是在情景设置中以佛教等带有明显宗教色彩的镜头贯穿影片当中,;用来质疑他救,鼓励自救。为什么导演宁浩塑造的角色给观众很亲近的感觉?这源于他自身对社会问题的关注和人物内心的洞察。比如其导演的“疯狂的石头”、“疯狂的赛车”等一系列叙事题材片,其主要角色都不是当今所谓的“流量明显”,但是依然成为了中国票房历史上的优异代表之一。和其他同类型的影片的明显差异表现在他的疯狂题材电影使用了多条叙事线索,合理的剧情设置和良好的电影结构感使得简短的剧情在多条线索上平行推进。导演自身对影片的理解和剪裁更是渲染了电影的艺术表达效果,保持了电影自身的优势,产生了非常大的化学反应。他的电影美学还体现在其在底层视角的基础上改变了一系列经典歌曲,并关注小人物的内心情感变化配以特殊的背景音乐,将草根电影成功地扎根在影迷心中,将一个个小人物推向大市场。IIAbstractNing Hao is good at hiding and expressing his views. Ning Hao's attention to the theme of belief is reflected not only in the characterization of characters, but also in the direct religious roles of Buddhism and godfathers, or hiding in the movie scenes, which is used to question his salvation and encourage self-salvation. Director Ning Hao's sensitivity and insight into social issues have contributed to his film's grounding roles. In terms of narrative, Ninghao's "crazy" movies, together with less well-known directors and actors, have created a small cost of China's box office miracle. The most remarkable feature of these two films is that they adopt a narrative structure with few clues in other films. The rhythm of the film is well controlled, the plot is fascinating, the story is very short, the attraction and multi-clues are not parallel, but cross in the vertical and horizontal direction. The director's own intelligence and creativ...