PPT——William Carlos WilliamsVIP免费

WilliamCarlosWilliams1883-1963WilliamCarlosWilliamsWilliamCarlosWilliams•WilliamCarlosWilliams(September17,1883–March4,1963),wasanAmericanpoetcloselyassociatedwithmodernismandImagism.Hewasalsoapaediatricianandgeneralpractitionerofmedicine.Williams"workedharderatbeingawriterthanhedidatbeingaphysician,"wrotebiographerLindaWagner-Martin.Duringhislonglifetime,Williamsexcelledbothasapoetandaphysician.•威廉·卡洛斯·威廉斯是20世纪美国最负盛名的几个诗人之一，与象征派和意象派联系紧密。他还是全科及小儿科医师。他反对维多利亚诗风（尤其是T·S·艾略特），既受到庞德等人影响，又继承了浪漫派传统，推陈出新，力求贴近生活语言。TheRedWheelbarrowsomuchdependsuponaredwheelbarrowglazedwithrainwaterbesidethewhitechickens红色手推车那么多东西依靠一辆红色手推车晶莹闪亮于雨水中旁边有几只白鸡赏析这是威廉斯最著名的一首小诗。本诗体现了诗人的一贯主张，即把诗歌创作深深扎根于现实生活中。《红色手推车》正是写平平淡淡的一组景象所带给读者的惊喜。诗歌所展现的是骤雨初歇时农家院子中的情景，他以以一幅静物写生的手法，寥寥数笔，把雨痕著物的澄澈景象栩栩如生的展现在读者眼前。手推车、雨珠和白鸡都是极为平常的事物，然而，诗人却能以极其细腻的感受能力，通过物体在画面中的特殊定位和鲜明的色彩形成对比，使邻家院子里的雨霁天晴时分那番熟悉景象永恒定格在美国文学史上。整首诗读来清新自然，色彩鲜明，动静结合，情景堪画。平凡的生活取之不竭的美由此而充分展现出来。在诗歌的形式上，诗人也颇具有独创。他似乎认为在描述这些平凡的事物时无需采用大写字母，因此，全诗所有单词均采用小写形式。威廉的诗歌正是以这样的多重性感染着后辈诗人和广大读者的。SpringandAllWilliamCarlosWilliamsBytheroadtothecontagioushospitalunderthesurgeofthebluemottledcloudsdrivenfromthenortheast—acoldwind.Beyond,thewasteofbroad,muddyfieldsbrownwithdriedweeds,standingandfallenpatchesofstandingwaterthescatteringoftalltrees沿着去传染病院的路上凛冽的东北风驱赶着斑驳的蓝云如波涛般奔涌。远处广漠泥泞的荒原上满地苍黄，野草时起时伏几潭凝滞的死水几株零落的大树Allalongtheroadthereddishpurplish,forked,upstanding,twiggystuffofbushesandsmalltreeswithdead,brownleavesunderthemleaflessvines—Lifelessinappearance,sluggishdazedspringapproaches—沿途色彩斑斓，淡红浅紫，开叉的，直立的，细枝繁茂的灌木丛，低矮的树木上垂着几片黄叶，再下面是无叶的枯藤――外表毫无生气，步履艰难地春天茫然地走来Theyenterthenewworldnaked,cold,uncertainofallsavethattheyenter.Allaboutthemthecold,familiarwind—Nowthegrass,tomorrowthestiffcurlofwildcarrotleaf它们闯入这崭新的世界，赤裸裸凉冰冰，一无所知只知道已进入春天。四周依然刮着熟悉的寒风—眼下，小草返青了，明天野胡萝卜将吐出坚实的芽苞OnebyoneobjectsaredefinedItquickens:clarity,outlineofleafButnowthestarkdignityofentrance—Still,theprofoundchangehascomeuponthem:rootedtheygripdownandbegintoawaken万物将逐个展露芳容—迅速抽芽：模样清晰，叶子呈现轮廓然而现在，是一派庄严的初春景象—深刻的变化已经降临人间：扎下根去，它们使劲向下伸展。大地开始苏醒CommentonthepoemWiththecomingofspring,theskyturnsbluebutthemottledcloudsaredrivenbycoldwind,thegroundisstillbrownwithdriedweeds.Throughthevisualimages,asceneoftheseverefightbetweenwinterandspringcanbeeasilycaught.Inthefirstthreestanzas,thepowerofwinterpredominatesandthepaceofspringappearsslowandhard.However,thequickenedpaceofspringinthethirdstanzabringsquickerrhythmtothepoem.Thechangeisprofound;theleaflessleavesallbegintoawakeandgripdownintheearth.Therevivaloflifecomesslowlybutsurely.Thereisnothingintheworldabletostopthepaceofit....