贾平凹艺术审美观念探析TheanalysisofconceptJiaPingwa’artisticaesthesis目录摘要..............................................................1关键词..............................................................1Abstract.............................................................1Keywords...........................................................1序言................................................................2一、贾平凹审美观念在文学作品中的表现...............................2（一）语言朴拙，多用方言、土语......................................2（二）塑造畸形人物表达文化隐喻......................................4（三）审美转向“脏”与“丑”........................................6二、贾平凹审美观在书画作品中的表现.................................7（一）书法：侧锋用笔，线条粗笨......................................7（二）绘画：境界独到，笨拙自然......................................8结语................................................................8参考文献:...........................................................9致谢...............................................................101贾平凹艺术审美观念探析摘要：贾平凹的艺术审美观念从创作初期的“审美”转变为现阶段的“审丑”，经历了一个复杂的探索期，直到九十年代后期基本形成。此后他的“审丑”观念广泛表现在他的各类作品中。本文以贾平凹的具体作品及相关研究资料为依据，试图通过对贾平凹文学作品中方言土语的运用、畸形人物的塑造、“脏”与“丑”的描写和书法作品中线条的构成、闲散的布局，绘画作品中夸张手法的运用、独到意境的创设等方面来分析贯穿于他的各类艺术作品中的“审丑”观念。关键词：贾平凹；审美观念；语言朴拙；畸形人物；线条粗犷；不和谐Abstract：TheartaestheticconceptionofJiaPingwahastransformedfromthe"aesthetic"athisearlycreationstagetotheappreciationof”ugliness"now,whichhasundergoneacomplexexplorationperiodandbeenbasicallyformeduntilthelatenineties.Sincethenhis"ugliness"concepthasbeenwidelyreflectedinhisworks.ThisessayisbasedonJiaPingwa'sspecificworksandrelatedstudiesandattemptstoanalysehisuseofliterarydialects,abnormalcreationofthecharacters,thedescriptionandcalligraphyof"dirty"and"ugly"intheconfigurationandlooselayout,theexaggerationinhispaintings,andhisuniquecreationofmoodtoanalyze"ugliness"conceptthroughouthisartworks.TheartaestheticconceptionofJiaPingwahastransformedfromthe"aesthetic"athisearlycreationstagetotheappreciationof”ugliness"now,whichhasundergoneacomplexexplorationperiodandbeenbasicallyformeduntilthelatenineties.Sincethenhis"ugliness"concepthasbeenwidelyreflectedinhisworks.ThisessayisbasedonJiaPingwa'sspecificworksandrelatedstudiesandattemptstoanalysehisuseofliterarydialects,abnormalcreationofthecharacters,thedescriptionandcalligraphyof"dirty"and"ugly"intheconfigurationandlooselayout,theexaggerationinhispaintings,andhisuniquecreationofmoodtoanalyze"ugliness"conceptthroughouthisartworks.Keywords：JiaPingwa；aestheticideas；languagenaturalness；abnormalcharacters；roughlines；discord2商洛学院2015届本科生毕业论文（设计）3贾平凹艺术审美观念探析序言贾平凹可谓中国当代文坛大师，从著作等身的文学作品到朴拙风趣的书画作品无一不体现着他独特的审美观念。“以中国传统美的方法，真实的表现当代中国人的生活和情趣”[1]，正是因为他有着这不受社会主流意识的牵绊，坚守自己的审美立场和文化品格的创作态度，才使得他在当今文坛显得独树一帜。贾平凹的骨子里流淌着平民的血液，他一直以来强调自己是农民，他说故乡那里是“实为深谷野洼，五谷都长而不...
