目录摘要....................................................................................................................IAbstract.....................................................................................................................II引言...................................................................................................................11视觉表达方式.......................................................................................................21.1美学概念之大音希声大象无形...................................................................21.2光与影的意义与作用...................................................................................31.3自然光的艺术造型效果...............................................................................52纪录片与自然类纪录片.......................................................................................52.1纪录片及其特点...........................................................................................52.2自然类纪录片的不同之处...........................................................................63光影在纪录片的呈现............................................................................................83.1以《地球脉动》第二季为例剖析...............................................................83.1.1光作为画面的“活跃剂”....................................................................113.1.2光的“拟人化”表达............................................................................133.2以《航拍中国》第二季为例剖析我国自然类纪录片的现状.................144光影对自然类纪录片的未来发展影响..............................................................18结论.................................................................................................................19参考文献.................................................................................................................20致谢.................................................................................................................21摘要“大方无隅，大器晚成，大音希声，大象无形”作为中国美学“意境”的基础体现出艺术自然无为、真朴淡雅、绝弃人工的特征，而光影作为影视作品的灵魂，其造型功能是不可小觑的。本论文的写作目的就是探讨在自然类纪录片的创作过程中，如何在保持最终效果“电影感”的同时，保持“真实性”，这不仅成为了中国自然类纪录影片难以突破的一点，也成了当代纪录片创作的难题。面对现代纪录片相继挂帅，面对变革中国如何走出自己风格的道路；面对自然类纪录片水准大幅度提升，中国能否独树一帜，再次闪耀夺目放射光芒；中国故事，国际讲述空前活跃，中国能否讲好自己的故事，促进纪录片的“人类命运共同体”。本文主要以《地球脉动》第二季和《航拍中国》第二季等影视作品为例，通过中外两部纪录片分析光影在自然类纪录片的重要作用。关键词：光影；造型效果；真实性；电影感AbstractAsthebasisof"artisticconception"ofChineseaesthetics,itembodiesthecharacteristicsofnaturalinaction,simplicityandeleganceofart.Asthesouloffilmandtelevisionworks,lightandshadowcannotbeunderestimated.Thepurposeofthispaperistoexplorehowtomaintainthe"filmsense"whilemaintainingthe"authenticity"intheprocessofcreatingnaturaldocumentary,whichnotonlybecomesadifficultpointforChinesenaturaldocumentaryfilmstobreakthrough,butalsobecomesadifficultproblemforcontemporarydocumentarycreation.Inthefaceofmoderndocumentaries,oneafteranother,facingthetransformationofChinahowt...
