题目:“相承”—家居装饰陶瓷陈设品系列设计摘 要陶瓷艺术品拥有丰富饱满的思想内涵和时代精神,它的设计语言中蕴含了具象象征,抽象隐喻等艺术形式,用泥与火作为表达媒介,向观赏者传达作品背后的精神寓意。陶瓷艺术这种特殊的艺术形式,切合人们回归自然,张扬个性,寻找艺术本质的要求。 在创作设计中追求自然的情绪美,艺术美。选題以江西省九洲市庐山脚下一处家居别墅设计项目“望庐”为依托 ,针对真实的室内空间进行陶瓷艺术品陈设设计。设计灵感来源于一千三百多年以前,用于佛教僧侣日常使用的一种传统工艺茶具——木叶盏。木叶盏的叶子元素也与原建筑中大量采用的植物元素及建筑外部中的树木相互呼应、相互联系以木叶盏为代表的传统技艺的消失十分令人惋惜。因此本次设计的题目为“相承”。取意自万物相承,即世间的任何生灵的生命和精神都在代代传承。这也是本次设计的主题——生命与传承。这一点也与原建筑设计师和业主的期望相统一。关键词:陶瓷艺术陈设品;木叶盏;传统;精神文化;创新设计 ABSTRACT Ceramic art has rich and full ideological connotation and spirit of The Times. Its design language contains figurative symbols, abstract metaphors and other art forms. Clay and fire are used as the medium of expression to convey the spiritual meaning behind the works to viewers. Ceramic art is a special art form, which meets people's requirements of returning to nature, publicizing individuality and seeking artistic essence. In the creation and design of the pursuit of natural emotional beauty, artistic beauty.Based on "wanglu", a design project of a home villa at the foot of lushan mountain in jiuzhou city, jiangxi province, this paper designs the furnishings of ceramic artworks for the real interior space. The design inspiration comes from a traditional tea set of wooden leaves used by buddhist monks in daily life more than 1,300 years ago. The leaf elements of the wooden cup also echo and connect with the plant elements widely used in the original building and the ...