目录中英文摘要及关键词···········································（1）前言·························································（2）第一章再看莫兰迪············································（3）第1节生活在波洛尼亚的苦行僧······························（3）第2节记忆中的瓶瓶罐罐····································（3）第二章影响莫兰迪艺术风格诸多因素····························（4）第1节印象主义影响········································（4）第2节立体主义风格········································（4）第3节形而上画派··········································（5）第三章艺术表现的语汇特征····································（6）第1节简约造型············································（7）第2节空间错位············································（8）第3节孤独的灰色··········································（8）第4节东方情怀（莫兰迪作品中的东方意味与文人情结）················································（9）第四章结语（“我”对莫兰迪的解读）·························（10）结论························································(10）参考文献····················································(11）致谢························································(12）摘要：莫兰迪的一生沉迷过印象主义，模仿过立体主义，加入过形而上派。在经过一番学习探索之后找到了属于自己的艺术道路，开始展示属于他的艺术语言。他的一生简单朴素，不追逐任何功名利禄，不难发现他将简朴的自己带进了作品，在他的画面中，那些瓶瓶罐罐始终保持它们应有的模样，没有富丽堂皇的背景，没有沧海桑田的印迹，只是单纯的存在着。时过境迁，物是人非，依旧那般平凡、卑微的存在着的只有莫兰迪的瓶子，虽谦卑却也逐渐显露出庄严。莫兰迪与他瓶子物我相忘所呈现的意境，恰恰与中国古代的文人墨客的气质相符合。莫兰迪，似乎生来就这般干净，画如其人这四个字就是莫兰迪最真实的写照。关键词：莫兰迪精神气质绘画风格中国传统画Abstract:GiorgioMorandiindulgedinimpressionism,imitatedcubism,andjoinedmetaphysics.Aftersomestudyandexploration,hefinallyfoundhisownartpathandbegantodisplayhisartlanguage.Hislifeisverysimple，andtaketheelegant"self"intohispictures,heletthebottlesandcansastheyshouldlook,nogorgeousbackground,noimpressionofthetimes,returntoblandandjustliveapurelife.Morandiandhisbottlereachedastateofecstasy，exactlythesametemperamentastheancientChineseliterati.Morandi,itseems,wasbornsoclean,"Peopleareexactlywhattheyarepainting."seemstobethemosttrueportrayalofMorandi.Keywords:Morandi;Spiritualtemperament;Paintingstyle;TraditionalChinesepainting前言最近在家居界掀起了一阵“北欧风”、“性冷淡”、“简约风”的家居风潮，指的是用冷淡的高级灰色彩来装饰房子。现在的年轻人表示看到这种高冷的装修风格就让人特...
