目录ABSTRACT:.....................................................................................1Keywords..........................................................................................1一、前言...........................................................................................2(一)张爱玲与作品《半生缘》概况.....................................2(二)国内外研究现状............................................................2(三)研究目的与意义............................................................3(四)《半生缘》主要内容.....................................................3二、半生缘中的人物悲剧形象分析...............................................5(一)顾曼桢与沈世钧的爱情悲剧.........................................5(二)顾曼璐与张豫瑾的爱情悲剧.........................................6(三)叔惠与翠芝的爱情悲剧.................................................7三、半生缘中顾曼桢的悲剧根源...................................................8(一)封建社会的迫害............................................................8(二)现实与爱情的差距........................................................91.亲情的沦丧......................................................................92.沈世钧的软弱................................................................103.爱情与现实....................................................................10(三)顾曼桢自身性格原因...................................................11四、总结.........................................................................................12参考文献.........................................................................................13致谢.................................................................................................141张爱玲《半生缘》中顾曼桢形象浅析摘要:张爱玲的《半生缘》描述战乱年代中,发生在旧上海的几对男女之间纠缠不尽的爱情故事,展示了人物之间的情感纠葛与悲欢离合。这部作品是张爱玲的代表作之一,同样也是一部悲剧,主要塑造了顾曼桢和顾曼璐这两位悲剧女性形象,描绘曼桢和世钧爱情的悲剧,无爱的婚姻让其中的每一个人都充满了悲剧色彩。本文通过对作品中爱情的悲与坎的分析,探讨造成这种悲剧的根源所在,感受作品中揭示的女性命运的悲哀和爱情的悲剧,女性在封建男权社会中的挣扎,以及无法控制自身命运的悲剧。关键字:《半生缘》;女性命运;悲剧;爱情ABSTRACT:ZhangAiling'shalf-liferelationshipdescribestheendlesslovestoriesbetweenseveralcouplesofmenandwomeninoldShanghaiduringthewartime,showingtheemotionalentanglementandjoyandsorrowbetweenthecharacters.Thisworkisoneoftherepresentative2worksofEileenChang,anditisalsoatragedy.Itmainlyportraystwotragicfemaleimages,GuManzhenandGuManlu.ItdepictsthetragedyoflovebetweenManzhenandShijun.Thelovelessmarriagemakeseachofthemfulloftragiccolor.Throughtheanalysisofthesadnessandsadnessofloveintheworks,thispaperexplorestherootcauseofthistragedy,andfeelsthetragedyofwomen'sdestinyandloverevealedintheworks,women'sstruggleinthefeudalpatriarchalsociety,andthetragedythattheycannotcontroltheirowndestiny.Keywords:HalfLifeMarriage;FemaleDestiny;Tragedy;Love3一、前言(一)张爱玲与作品《半生缘》概况《半生缘》是张爱玲的第一部长篇小说,原名为《十八春》,用了笔名“梁京”来发表这部作品。张爱玲移居美国后在1966年对这部小说进行改写,从作品第十二章开始大幅改写,同时删掉了带有政治色彩的结局,并且改名为《半生缘》。当时在时代的变革、家庭温情的匮乏、婚姻的失败背...