第 1 页摘 要山东秧歌是齐鲁大地滋养下的优秀文化艺术，具有鲜明又浓厚的齐鲁文明和儒家文化底蕴，也生动地展现了齐鲁儿女的精神气质和生活方式，在汉民族的民间文化、民间舞蹈中占有举住轻重的地位。本文从山东三大秧歌（鼓子秧歌、胶州秧歌、海阳秧歌）的地理历史环境出发，尝试分析他们的历史起源，从而分析其表现形式、文化底蕴以及音乐等方面的异同，进而分析其保护传承方式和创新发展道路。关键词：山东三大秧歌；秧歌异同；秧歌发展第 2 页AbstractShandong yangko is a quite popular rural folk dance growing in Qiru area, which has a distinct and rich culture deposit of Qiru culture and confucian culture. It also vividly expresses Qilu people’s spirits and thier life style, which plays an important part in chinese folk culture and folk dance. Therefore , the paper trys to analyse the similarities and differences of the orgins ,the ways of performances, culture deposits of the three Shandong Yankoes (Guzi yangko, Jiaozhou yangko, Haiyang yangko) from its geography characteristics and historical enviorments, thus helps us to find out the way to protect, inherit and develop them.key words： Three Shan Dong Yankoes; Yangko’ differences and similarities; Yangko’s development第 3 页目 录绪 论.....................................................4一、三大秧歌的概述........................................5（一）山东的自然地理环境与历史文化特征.................6（二）山东三大秧歌的起源...............................61.鼓子秧歌的起源....................................62.胶州秧歌的起源....................................73.海阳秧歌的起源....................................7二.山东三大秧歌形式和内容的异同...........................8（一）山东三大秧歌表演形式和角色的异同.................81 鼓子秧歌的表演形式和角色..........................82.胶州秧歌的表演形式和角色..........................83.海阳秧歌的表演形式和角色..........................9第 4 页4.三大秧歌表演形式和角色的异同....
