浅析舞蹈中历史人物形象的塑造以《逼上梁山》为例摘 要 在舞蹈创作中，塑造舞蹈的人物形象基本有两条路径:其一，“以人物的行为塑造人物形象”;其二，“以舞蹈动作塑造人物形象”。人物行为塑造的人物形象，多为人物的外部形象，即人物的样子或者样貌等;舞蹈动作塑造人物形象，多为人物的内心情感，即人物的情绪和状态等，是对人物的内在情绪状态做出舞蹈形式的视觉呈现。如果说，以人物行为塑造的人物形象是舞蹈中人物的形似，那么以舞蹈动作塑造的人物形象便是舞蹈中人物的神似。一个优秀的舞蹈作品，其人物形象的塑造必定是立体的，细腻的，形神兼备的。那么，其技术核心更是离不开人物行为和舞蹈动作对人物形象的塑造。有鉴于此，本文便试图以《逼上梁山》为例子，对舞蹈中历史人物形象的塑造提出进行分析探讨。关键词 舞蹈、形象塑造、《逼上梁山》A Brief Analysis Of The Shaping Of Historical Figures In Dance As An ExampleAbstract In the creation of dance, there are two basic characters in shaping the dance: one, "shaping the characters by the characters' behavior"; secondly, "shaping the characters by the dance movements". Character acts to shape the characters, mostly characters of the external image, that is, the appearance of people or appearance; dance action to shape the characters, mostly for the inner feelings of the characters, that is, the mood and state of the characters, is the inner emotions of the characters State to make a visual representation of the form of dance. If the image of the characters created by the characters is the shape of the characters in the dance, then the characters of the characters created by the dance movements are the gods of the characters in the dance. A good dance works, the character of the image must be three-dimensional, delicate, both shape and spirit. So, the core of its technology is inseparable from the behavior of people and dance action on the shape of the characters. In view of this,...
