萨克雷《名利场》副标题之解析摘要 威廉•萨克雷是 19 世纪英国维多利亚时代的批判现实主义小说家，《名利场》是他的成名作。除了杨绛在为杨必版《名利场》写的译本序中提出副标题的两种翻译“一部没有英雄（没有主人公）的小说”之外，该副标题没有被刊登在其他译本中。看似可有可无，其实该副标题具有多重内涵，萨克雷全知地描写形形色色的自私、虚伪的小人物，真实地展现人性善恶的两重性，揭露 19世纪英国追名逐利的社会本质。副标题的成因也有着复杂的社会、文化、政治和经济背景，在欧洲社会政治、经济环境变化下，文学必然发展，萨克雷受到真实的创作原则以及《圣经》“原罪”论的影响，意图用副标题来揭露物欲横流的名利场。关键词 《名利场》 副标题 多重内涵 背景成因Analysis of the Subtitle of Vanity Fair Written by ThackerayAbstract William Thackeray was a 19th century Victorian English novelist of the critical realism,Vanity Fair is his masterpiece.The subtitle has not been published in any other translation, except for the two translations that Yang Jiang proposed for the preface to Yang Bi’s version of Vanity Fair: “a novel without a hero”. Seemingly unnecessary, this subtitle actually has multiple connotations. Thackeray fully describes various selfish and hypocritical little people, truly shows the duality of good and evil in human nature and reveals the social nature of the pursuit of fame and fortune in 19th century Britain. The causes of subtitle also have a complex social, cultural, political and economic backgrounds. Under the changing social, political and economic environment in Europe, literature is bound to develop. Thackeray was influenced by the true principles of creation and the theory of “original sin” in the bible, and intended to use subtitle to expose the materialistic vanity.Key words Vanity Fair Subtitle Multiple connotations Underlying causes目 录引 言·························...
