《让我痛哭吧》艺术特征以及演唱技巧方法浅析

摘 要《让我痛哭吧》（Lascia ch'io pianga）选自巴洛克时期德籍英国音乐家亨德尔的著名歌剧《里纳尔多》（Rinaldo）,系作曲家创作风格转折的最具代表性的咏叹调之一。本文共分三个章节，依据对亨德尔歌剧的创作特征、创作的时代背景，以及曲体结构等内容的简要概述和分析，力图探讨该作品的艺术特征与演唱技巧，以及如何演绎这部作品，使之达到一个较为完美的演唱效果。要充分了解作品其中所蕴含的“味”，才能演唱出作曲家所想表达的情感，让听众身临其境，沉浸在演唱者的表演中。关键词：亨德尔；让我痛哭吧；咏叹调；里纳尔多Abstract“Lascia ch'io pianga”is selected from the most representative aria of the compositional transition of the composer of the famous opera "Rinaldo" of Baroque German musician Handel One. This article is divided into three chapters, based on a brief overview and analysis of the creative characteristics of the Handel opera, the background of the creation, and the structure of the song. To achieve a more perfect singing effect. To fully understand the "taste" contained in the work, the emotions that the composer wants to express can be sung, so that the audience can be immersed in the performance of the singer.Key words：Handel；Rinaldo；Lascia ch'io pianga；aria目 录引 言............................................................6一、作曲家与作品概述................................................2（一）作曲家的生平简介..............................................2（二）《让我痛哭吧》的创作背景......................................3二、《让我痛哭吧》的艺术风格与特征..................................3（一）《让我痛哭吧》中的艺术风格....................................31.乐句装饰音及数字低音的频繁运用....................................42.加花处理的返始咏叹调..............................................4（二）《让我痛哭吧》中的艺术特征....................................41.宣叙调与咏叹调的有序结合..........................................42.曲体结构的合理布局..............