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Imagism(1900S-1910S)第一页，共五十七页。Imagism(1900S-1910S)TheImagistmovementincludedEnglishandAmericanpoetsintheearlytwentiethcenturywhowrotefreeverseandweredevotedto"clarityofexpressionthroughtheuseofprecisevisualimages."TheImagistMovementbeganinLondonandlaterspreadtotheUS.Itunderwentthreemajorphasesinitsdevelopment意象派与象征派？第二页，共五十七页。1.1908—1909T.E.HulmefoundedaPoets’Clubin1908.Themosteffectivemeanstoexpressthemomentaryimpressionsisthrough“theuseofonedominantimage”.激烈反对维多利亚诗歌过分模糊抽象，过分雕琢矫情。主张诗歌要写得坚挺（hardness)、明晰（clarity)、和严谨（restraint)。第三页，共五十七页。2.1909—1912EzraPoundtookoverthemovement.a.Directtreatmentofthe“thing”,whethersubjectiveorobjective;b.Touseabsolutelynowordthatdoesnotcontributetothepresentation;c.Asregardingrhythm,tocomposeinthesequenceofthemusicalphrase,notinthesequenceofametronome.（采用乐句，不用呆板的节拍）。意象是一瞬间呈现出的理性和感情的复合体第四页，共五十七页。日本俳句&中国古诗的影响古池塘，青蛙跃入，水清响!古池静幽幽，蛙跃激水声闲寂古池旁青蛙跳进水中央扑通一声响枯藤老树昏鸦，小桥流水人家，古道西风瘦马。夕阳西下，断肠人在天涯。第五页，共五十七页。31914—1917AmyLowelltookoverthemovementanddevelopeditImagismasamovementwasoverby1917,theideasaboutpoetryembeddedintheImagistdoctrineprofoundlyinfluencedfreeversepoetsthroughoutthetwentiethcentury.庞德与弗林特在意象派诗歌理论上意见不合。第六页，共五十七页。子曰：“书不尽言，言不尽意。”子曰：“圣人立象以尽意。”言者所以在意，得意而忘言。艾青：意象是纯感官的，意象是具体化了的感觉。朱光潜：意象是所知觉的事物在心中所印的影子。朱琦：意象就是渗透着诗人主观情思的某个客观物象。李元洛：意象是客观的生活场景和诗人主观的思想感情相交融，通过审美的创造而使文字表现出来的艺术景象或境界。余光中：所谓意象即是诗人内在之意诉之于外在之象，读者再根据这外在之象试图还原为诗人当初的内在之意。第七页，共五十七页。Imagism:itsrepresentativesInastationofMetroTheRedwheelBarrowFogOread(HildaDoolittle)第八页，共五十七页。EzraPound1.Life2.Works3.CommentsonEzraPoundThefatherofmodernpoetry.第九页，共五十七页。EzraPound(1885—1972)Cantos(1948),atotalof117poems第十页，共五十七页。EzraPound(hislife)BorninHailey,IdahoBroughtupinPennsylvania1885StudiedRomancelanguagesandRenaissanceliteratureatHamiltonCollegeandtheUniversityofPennsylvania1908:sailedtoEurope1920:becameaPermanentexpatriate1924,leftParisforItalyWorldWarII,Italiangovernment,radiobroadcastsaccusedoftreason,dismissedin1958diedin1972,inItaly第十一页，共五十七页。2.Works:(1)Cathay,(2)TheCantosCathay《华夏集》,acollectionofChinesetranslations,basedonthemanuscriptsofErnestFennellosa第十二页，共五十七页。In1915,PoundpublishedCathay,asmallvolumeofpoemsthathedescribedas“ForthemostpartfromtheChinesepoetLiPo(李白）anditwasconsideredamongthemostbeautifulofhiswritings.1915年庞德发表了他根据东方学者芬诺洛萨的遗稿而译成的中国古诗英译本Cathay第十三页，共五十七页。“TheRiver-Merchant‘sWife:ALetter”(艾兹拉·庞德根据李白的《长干行》译的英文）waspublishedin1915inEzraPound'sthirdcollectionofpoetry,Cathay第十四页，共五十七页。TheCantosItexploreswesterncivilizationfromtheclassicalpastthroughthemedievalperiodandtheRenaissancetothemodernage,anddescribesremediesforitsculturalillness.encyclopedicepicpoem第十五页，共五十七页。Style:verydifficulttoreadPound’searlypo...