目录浅析唢呐名曲《百鸟朝凤》演奏技巧和艺术特征.....................................................................................................1Abstract...........................................................................................................................................................................1一、《百鸟朝凤》的创作背景...................................................................................................................................3二、《百鸟朝凤》段落技法分析.................................................................................................................................31、山雀啼晓。...............................................................................................................................................................35、百鸟朝凤。.............................................................................................................................................................4三、《百鸟朝凤》的艺术特征.....................................................................................................................................5四、浅析该作曲在当今社会的地位和意义.................................................................................................................7五、结语.........................................................................................................................................................................7参考文献...................................................................................................................................................................8浅析唢呐名曲《百鸟朝凤》演奏技巧和艺术特征摘要唢呐最早流行于公元3世纪的波斯和阿拉伯，并由波斯、阿拉伯一带传入中国，在当代具有“锁呐”“锁奈”“苏尔奈”等之称。明代初期开始有人将唢呐记载于古籍，明代时期的戚继光也曾将唢呐运用在军乐中。到了后期开始广泛运用于戏曲伴奏当中，并在伴奏中占有十分重要地位，主要用于唱腔伴奏、过场曲牌，是戏曲伴奏中必不可少的乐器之一。近现代，唢呐不仅是我国民间传统乐器之一，而且已纳入我国非物质文化遗产当中。任同祥先生改编的《百鸟朝凤》在1953年第四届世界青年联欢节荣获银奖，在自己的改编后能够使音乐在原有的结构和情绪上有所改变，使乐曲更充满活力。任老师的改编不仅使百鸟朝凤有了新的突破，而且对唢呐的发展具有深渊影响。随后在和陈家齐老师进行改变修正后，该乐曲在国内外广泛流传，用于各大学院的音乐素材，深受人们喜爱。2006年5月20日经国务院批准，正式将我国民间传统乐器唢呐这种传统民间艺术列入我国第一批国家级非物质文化遗产名录。关键词:唇颤音；气颤音；三吐双吐；花舌音；舌弹音；AbstractThesuonaisinitiallyinthethirdCenturyADbythePersian,Arabiaarea.ThenChineseincomingingold,theYuanDynasty,theCentralPlainsareaspreadtoourcountry,ancienttimesofSuona"Sona""lock"Nai"surnasaid."intheearlyMingDynastybegantoberecordedintheancientMingSuona,dynastiesQiJiguangwasalsousedintheband.Thesuonalatestartiswidelyusedinoperaaccompaniment,andoccupiesaveryimportantpositionintheaccompaniment,mainlyforvocalaccompaniment,interludetune,isoneoftheessentialinstrumentsinthemodernoperaaccompaniment.SuoNa,isnotonlyoneofthetraditionalfolkmusicalinstrumentsinChina,andhasbeenincorporatedintothetheintangibleculturalheritageinChinaMr.RenTongxiang'slegacy.adaptationwonthesilvermedalin1953atthefourthsessionoftheWorldYouthFestival,musiccanmakechangesinthestructureandemotionon...
