从俳句看中日文化交流摘要俳句是一种独特的日本诗歌形式，短而精致，被称为世界上最短的格律诗，以瑰丽的艺术风格和独特的思维形式反映出现实生活，兼具趣味性和观赏性，显示了日本民族自身的想法和情感，迥异于其他国家，所以自诞生起就显示出独特的光辉。而通过俳句，我们也可以看出古代中日文化交流的具体状况，并进而分析两者之间的交流特点以及所创作的俳句的共同性和差异性，从而试图揭示出中日文化交流的神秘面纱。关键词：俳句；中日文化；交流OnSino-JapaneseCulturalExchangesfromHaikuAbstractHaikuisauniqueformofJapanesepoetry,shortanddelicate,knownastheworld'sshortestmetricalpoetry,withamagnificentartisticstyleanduniquewayofthinkingreflectsthereallife,bothinterestingandornamental,showingJapanThenation'sownideasandemotions,verydifferentfromothercountries,sosincethebirthofshowingauniqueglory.Throughthehaiku,wecanalsoseethespecificsituationofancientSino-Japaneseculturalexchanges,andthenanalyzethecharacteristicsofcommunicationbetweenthetwoandthecreationofhaikucommonalityanddifferences,andthustrytorevealthemysteryofSino-Japaneseculturalexchangeveil.Keyword:Haiku;ChineseandJapaneseculture;communicatio目录NANCHANGUNIVERSITY...............................................................................................ITHESISOFBACHELOR............................................................................................I摘要..............................................................................................................................3Abstract........................................................................................................................4第一章俳句的发展....................................................................................................61.1俳句的概念....................................................................................................61.2俳句的演变过程............................................................................................61.3俳句与汉诗之间的关联性.............................................................................7第二章俳句与唐诗之间的差异性............................................................................152.1题材与内容之间的差异................................................................................152.2情感表达的差异性.......................................................................................152.3意境构造的差异性.......................................................................................16第三章俳句对于我国诗歌发展的意义与局限性....................................................173.1俳句在我国的发展历程...............................................................................173.2俳句在中日两国发展的异同原因................................................................19结论............................................................................................................................21参考文献....................................................................................................................22第一章俳句的发展1.1俳句的概念俳句从和歌逐步发展演变，和歌是一种最早的日本诗歌风格。原本的和歌没有字数和句子的限制。发展至奈良时代，出现了两种基本形式——“长歌”和“短歌”。所谓的“长歌”是以“5，7”的形式反复连续，直到作者说所有的话表达完为止。末尾部分，就在最后的“7”再加上“7”，整个形式就变成了“5，7，5，7…5，7，7”。至于“短歌”...
