《聊斋志异》中的“双美”形象研究摘 要：在《聊斋志异》中，作者蒲松龄塑造人物形象时有许多“双美”形象。具体而言，“双美”形象是由人、妖、仙、鬼等多种女性形象组合，并展现出不同的风貌和突出的个性。就情感交流情节而言，“双美”形象与男主角组成了一夫二妻、一妻一友等多种模式，除常见的男欢女爱，更有无私奉献、知己情谊以及柏拉图式的精神相恋。而且两个女人的交往，除了爱情的竞争关系，妻妾关系，更多的是有了知己情谊，甚至存在着同性之恋。《聊斋志异》中“双美”形象的塑造虽然继承了中国传统文学中“一夫二妻”的模式，但也更加丰富多彩。尽管蒲松龄的创作心理一直与古代男权思想保持着分离，但他毕竟更加重视女性生命和女性人格，因此“双美”形象还具有特有的文化价值。关键词：聊斋志异；蒲松龄；“双美”形象；研究Research on the Image of "Double Beauty " in "Liao Zhai Zhi Yi "Abstract: Pu Songling’s Liao Zhai Zhi Yi has shaped many "double beauty" images. From the perspective of collocation mode, the image of "Double Beauty" is made up of various types of women, such as man, demon, fairy, and ghost. From the perspective of emotional interaction, the "double beauty" image and the male protagonist form a variety of modes such as monogamy, wives and flowers, and one wife and one friend. Spiritual love. The two women’s interactions, in addition to the competitive relationship of love, the relationship between wives and concubines, have more confidant friendship, and even homosexual love.The image of "Double Beauty" in Liao Zhai Zhi Yi is inherited from the "monogamy" model in traditional Chinese literature, but it is more magnificent and colorful. Although Pu Songling’s creative psychology has never been divorced from the ancient ideas of male power, he has paid more attention to female life and female personality after all, and has unique cultural value.Key words: Liao Zhai Zhi Yi; Pu Songling; "Double Beauty" Image;Rese...
