论古筝演奏中的二度创作——以古筝协奏曲《枫桥夜泊》为例摘 要新中国成立后，在赵玉斋、罗九香、曹正、苏文贤等为代表的老一代民间筝乐演奏家的辛勤耕耘之下，培养出了一批又一批的音乐人才，使古筝演奏艺术得以传承，焕发新的光彩。“改革开放”政策的实施，在促进了当时我国与外界音乐文化上的交流的同时，国外的现代音乐音响观念及表演技法等音乐形式对我国音乐创作体裁也产生明显的影响。除去古筝演奏家及教育家所创作的新曲外，不少专业作曲家也开始尝试进行筝曲创作。他们立足于传统筝乐艺术及中国民族民间音乐特色，顺应时代发展的审美要求，大胆借鉴西方的作曲手法，深入挖掘古筝演奏艺术的表现力，极大程度地开发古筝的演奏技法及音色表现力，创作出一首首令人耳目一新的筝曲，使我国古筝艺术迎来了百花齐放、百家争鸣的春天。 为此，本人将针对古筝演奏中的二度创作，结合自身所演奏的古筝协奏曲《枫桥夜泊》，对演奏学习过程中的难点和心得加以总结和整理，目的是为了让自己在古筝演奏技术进一步提升并在演奏中更完美的呈现，并希望给予广大古筝学习者、爱好者在古筝学习上一点借鉴的作用。关键词:古筝演奏；《枫桥夜泊》；二度创作IOn the two degree creation in guzheng performance-- Taking the guzheng Concerto "Maple Bridge night park" as an exampleAbstract After the founding of new China, the old generation of folk zither performers represented by Zhao yuzhai, Luo Jiuxiang, Cao Zheng, Su Wenxian, etc. worked hard to cultivate a batch of musical talents, so that the art of zither performance can be inherited and radiated with new brilliance. With the implementation of the "reform and opening up" policy, it promoted the cultural exchange between China and the outside world at that time. The concept of modern music sound and the performing techniques of foreign music forms had a significant impact on the genre of music creation in China.In addition to the new music created by zither performers and educators, many professional composers began to try to create zither music. Based on the traditional z...
