目录中文摘要............................................................................................................................................1Abstract................................................................................................................................................2前言..................................................................................................................................................3第1章《棋王》的棋道：道与儒互渗.......................................................................4第1.1节棋与吃：棋王的选择..............................................................................5第1.2节另一种解读：对传统文化的背离..................................................7第2章《树王》的捍卫：传统文化在现代的失落...........................................8第2.1节旧与新：树王和知青的冲突.............................................................9第2.2节政治话语下的道家思维......................................................................10第3章《孩子王》的超越：挣脱时代枷锁.........................................................11第3.1节随遇而安的道家姿态...........................................................................12第3.2节艰难境遇下的理想赞歌......................................................................13第4章《遍地风流》的“旧”与“俗”...............................................................14结论...............................................................................................................................................16参考文献..........................................................................................................................................17致谢...............................................................................................................................................18中文摘要“”寻根文学运动的代表作家阿城始终将创作立足于传统文化，他的小说对传统“”文化的态度是深入研究寻根小说时所不能忽略的。不同于评论界长期将阿城小说视作道家文化在当代的拥趸的观点，本文旨在跳出这一框架，以传统文化为基点，“”从三王系列小说和短篇小说集《遍地风流》入手，探讨王一生、肖疙瘩、老杆儿及《遍地风流》中的小人物身上的文化内涵，从而透视传统文化在当代的境况和阿城对传统文化的态度。关键词：“”三王系列小说；《遍地风流》；传统文化AbstractAhCheng,therepresentativewriterofthe"Root-seekingLiterature"movement,alwaysputhismindtotraditionalculture.Theattitudeofhisnovelstotraditionalculturecannotbeignoredwhenwedeeplyresearch"Root-seeking"novels.Differentfromcritics'long-termviewofAhCheng’sfictionastheTaoistculture'ssupportersinthecontemporaryera,thisarticleaimstojumpoutofthisframework.Takingthetraditionalcultureasthebasepoint,andfromthe"ThreeKings"seriesofnovelsandshortstories,thisthesiswillstartwithadiscussionoftheculturalconnotationsofWangYisheng,XiaoGeda,LaoGaner,andsmallcharactersinTheMerryLands,inordertoexaminethecontemporarysituationoftraditionalcultureandAhCheng’sattitudetowardtraditionalculture.Keywords:"ThreeKings"seriesofnovels;TheMerryLands;traditionalculture前言1985“”年左右出现的寻根文学浪潮可以视为中国当代文学发展中的重要事件，在五四文学革命后的百年文学史中意义重大。20世纪五十年代后，作家们逐渐被迫“用政治话语取代文学语言，甚至遗失了文学干预政治、生活的五四传统，文化大革”“”命结束后，这种传统才得以逐渐恢复。从文革的迫害中回...
