论林语堂在《京华烟云》中的完美女性观VIP免费

摘要作为中国新旧交替时代下的一名典型文人，林语堂的思想表现为传统与现代两种文化的融合，既有中国古典文化中的处世哲学和生存智慧，又受到了西方现代人文思想的影响。这种兼容并蓄的思想使林语堂对现代中国完美女性应有的品格有着独特的见解。这种完美女性观在其代表作《京华烟云》中得到了系统的阐释。本文对《京华烟云》中包括主人公姚木兰在内的性格各异的几名女性形象进行分析和对比，从而得出结论：以传统文化中的哲学作为内心坚守，并拥有现代思想中自由的个性和独立的人格；以道家自然逍遥的思想关注内心，利用儒家的道德操守和生存智慧面对生活，这就是林语堂对完美女性品质的定义。而姚木兰正是林语堂这种中体西用、儒道合一的女性观的集大成者，是作者心中女性的完人，而且对于理想中国人的品格塑造也有现实意义。关键词：林语堂；京华烟云；完美女性；中体西用；儒道结合AbstractAsatypicalwriterfromtheolderascholar,LinYutang’sthoughtperformedoftraditionalandmodernfusionoftwocultures.ItincludedclassicalChinesecultureandphilosophicalandintellectuallife,butalsobytheinfluenceofWesternmodernhumanthought.Forthisembracingthought,Mr.LinhadauniqueperspectiveaboutthemodernChineseperfectwomanofhischaracter.Inhismasterpiece“MomentinPeking”,thisconceptoftheperfectwomanhadbeenagreatsystemofinterpretation.Inthispaper,“MomentinPeking”includedtheheroineYaoMulan’sseveraldifferentcharacters,includingfemaleimageanalysisandcomparison,wecanconclude:philosophyofthetraditionalcultureastheinnerstick,andownedmodernideasoffreepersonalityandindependentpersonality;HappythoughtstoTaoistinnerfocus,usingConfucianethicsandlivingwisdomtofacelife,andthiswasthequalityofLin’sdefinitionoftheperfectwoman.AndYaoMulanwasLin’swest,butConfucianism,Taoismandtheunityofamasteroffeminism,wastheauthoroftheperfectwomaninhismind.Atthesametime,ithaditspracticalsignificancefortheChinesecharacteroftheidealshape.Keywords:LinYutang；momentinPeking；perfectfemaleimage；theintegrationofChineseandwesternculture；combinationofConfucianismandTaoism目录序言··········································································································1一、林语堂完美女性观的概括——中体西用，儒道合一····························21.儒家文化影响下的完美女性观································································22.“西学东渐”中的女性解放思想································································23.林语堂完美女性观的内涵······································································2二、《京华烟云》中不够完美的女性——对完美理想的衬托························31.莫愁——富贵荣华，不及姚家莫愁···························································32.曼娘——“顺从”是她一生悲剧的根源······················································53.红玉——现代的启蒙不应只是爱情·························································64.素云——她只是个被命运捉弄的骄傲女子·······························...