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古诗词复习资料目录闻王昌龄左迁龙标遥有此寄················1江雪··························1芙蓉楼送辛渐···················2塞下曲······················2忆江南······················3四时田园杂兴···················4登幽州台歌····················5使至塞上·····················5观沧海······················6次北山固下····················7别董大······················7钱塘湖春行····················8望岳·······················8天净沙·秋思···················9浣溪沙·····················10夜雨寄北····················10饮酒······················11十一月四日风雨大作···············12黄鹤楼·····················13登飞来峰····················13伯牙鼓琴····················15夸父逐日····················17两小儿辩日···················18爱莲说·····················19陋室铭·····················22记承天寺夜游··················24闻王昌龄左迁龙标遥有此寄江雪古诗江雪柳宗元（唐代）千山鸟飞绝，万径人踪灭。孤舟蓑笠翁，独钓寒江雪。作者简介柳宗元（773年－819年），字子厚，唐代人，杰出诗人、哲学家、儒学家乃至成就卓著的政治家，唐宋八大家之一。柳宗元与韩愈同为中唐古文运动的领导人物，并称“韩柳”。翻译译文所有的山，飞鸟全都断绝；所有的路，不见人影踪迹。江上孤舟，渔翁披蓑戴笠；独自垂钓，不怕冰雪侵袭。鉴赏这首《江雪》把客观境界写得比较幽僻，而诗人的主观的心情则显得比较寂寞，在这样一个寒冷寂静的环境里，那个老渔翁竟然不怕天冷，不怕雪大，忘掉了一切，专心地钓鱼，形体虽然孤独，性格却显得清高孤傲，甚至有点凛然不可侵犯似的。这个被幻化了的、美化了的渔翁形象，实际正是柳宗元本人的思想感情的寄托和写照。芙蓉楼送辛渐古诗芙蓉楼送辛渐古诗闻王昌龄左迁龙标遥有此寄李白（唐代）杨花落尽子规啼，闻道龙标过五溪。我寄愁心与明月，随风直到夜郎西。作者简介李白，字太白，号青莲居士，唐朝浪漫主义诗人，被后人誉为“诗仙”。翻译在杨花落完，子规啼鸣的时候，听说你路过五溪。我把我忧愁的心思寄托给明月，希望能随着风一直陪着你到夜郎以西。鉴赏这是一首短短四句的抒情短章，感情的分量却相当沉重。它一开头便择取两种富有地方特征的事物，描绘出南国的暮春景象，烘托出一种哀伤愁恻的气氛。王昌龄（唐代）寒雨连江夜入吴，平明送客楚山孤。洛阳亲友如相问，一片冰心在玉壶。作者简介王昌龄(698—756），字少伯，河东晋阳（今山西太原）人。盛唐著名边塞诗人，后人誉为“七绝圣手”。翻译译文迷蒙的烟雨，连夜洒遍吴地江天；清晨送走你，孤对楚山离愁无限！朋友啊，洛阳亲友若是问起我来；就说我依然冰心玉壶，坚守信念！鉴赏迷蒙的烟雨笼罩着吴地江天（今南京一带，此地是三国孙吴故地。），织成了一张无边无际的愁网。夜雨增添了萧瑟的秋意，也渲染出了离别的黯淡气氛。沁透在两个离别友人的心头上。特别是”洛阳亲友如相问，一片冰心在玉壶”二句，细致精密，给人以冰清玉洁之感。诗人在这以晶莹透明的冰心玉壶自喻，正是基于他与洛阳诗友亲朋之间的真正了解和信任，这决不是洗刷谗名的表白，而是蔑视谤议的自誉。因此诗人从清澈无瑕、澄空见底的玉壶中捧出一颗晶亮纯洁的冰心以告慰友人，这就比任何相思的言辞都更能表达他对洛阳亲友的深情。古诗己亥杂诗·其五龚自珍（清代）九州生气恃风雷，万马齐喑究可哀。我劝天公重...