I乌镇和南锣鼓巷戏剧节运作模式比较研究摘 要当今，国内戏剧“低谷”的原因在于戏剧事业低迷，戏剧创作人才少，作品水准低，戏剧市场狭窄。为了繁荣戏剧事业，培养戏剧创作人才，提升戏剧作品的艺术水准，拓展戏剧市场，国内出现了多个戏剧节。其中以乌镇戏剧节和北京南锣鼓巷戏剧节为代表，尤其是乌镇戏剧节在国内拥有极大的号召力和知名度。本文旨在比较两个戏剧节的运作模式存在哪些成功之处以及欠缺之处，同时提出有利于戏剧节发展的意见和建议，为国内戏剧事业的发展提供启示。为了使中国戏剧再次走向繁荣，国内出现了包括乌镇戏剧节、北京南锣鼓巷戏剧节、大学生戏剧节在内的多个戏剧节。这些戏剧节带动了国内对戏剧行业的关注，培养了一批新的戏剧观众。它们的运作模式是它们能取得良好成绩的关键因素，并对未来其他戏剧节的发展和戏剧行业在新时代下探究生存方式有借鉴意义。关键词：乌镇；南锣鼓巷戏剧节；运作模式IIABSTRACTNowadays, domestic drama "low" is the cause of the drama drama downturn, less talent, low level of work, play the narrow market. In order to cultivate drama drama prosperous career, creative talents, enhance the drama artistic level, expand the domestic drama market, the emergence of a number of drama festival. The Wuzhen Drama Festival and the Beijing Nanluogu Lane Theatre Festival as the representative, especially the Wuzhen Drama Festival in China has great appeal and popularity. The mode of operation of the purpose of this paper is to compare two drama festival what are the success and shortcomings, and puts forward to the drama festival development opinions and suggestions, to provide suggestions for the development of domestic theatrical career. In order to make China drama prosperous again, the emergence of a number of domestic drama festival including Wuzhen Drama Festival, Beijing Drama Festival, Nanluogu Lane Theatre Festival. The drama festival led the domestic attention to the theatre industry, cultivating a number of new drama ...
