目录.....................1........................................................................................1.............................................2.............................................3...........................................5....................................................................................7....................................................................................7从小说《外套》看果戈理悲喜交融的创作特色 摘 要 作为幽默讽刺大师的果戈理，在创作其作品时经常把喜剧性和悲剧性巧妙地结合起来，形成一种寓悲于喜的独特艺术风格。小说《外套》鲜明地体现着果戈理悲喜交融的创作风格。语言诙谐幽默，人物行为怪异，结局奇幻，对人物的命运揭示异常深刻。果戈理这种悲喜交融艺术手法的运用，使其小说具备了独特的魅力。关键词 果戈理；《外套》；悲喜交融；创作特色On Gogol’s Writing Style: Grief Mingled with Joy from His Novel "Jacket"1Abstract Gogol, as a master of humor and satire, often combines comedy and tragedy in the creation of his works, and forms a unique artistic style which is full of sadness and joy. The novel "jacket" vividly embody Gogol's tragicomic style. Humorous language, the strange behavior of the characters, the outcome of the fantasy, the fate of the characters reveal profound. The use of Gogol this bittersweet blend of artistic practices, the novel has a unique charm. Keywords Gogol; Jacket; Grief mingled with joy; distinctive features of writing前 言果戈理出生于被人称为小俄罗斯（这是对乌克兰的蔑称）的地主家庭，他年轻时是个九等文官，死的时候身上所剩无几。在 1929 年末，果戈理在政府部门谋得一个小公务员的职位。1930 年，经人推荐转到封地局任抄写员，薪2俸很微薄，甚至连他自己的生活都难以维持，还需家里接济。“社会的贫富差距，下层人民生活的辛酸，官场的腐败，世态的炎凉……社会的深刻矛盾，使果戈理认识到人生悲剧性的一面，让他学会坚强、学会忍受。”[1]而这种悲苦的生活以诙谐讽刺的方式出现在他的作品中，造成一种悲喜融合的局面。《外套...
