从悲剧到悲剧—由《伤逝》子君的悲剧反思当代女性婚恋观中文摘要女性的婚恋观一直是我国社会普遍关注的问题。它是文学的永恒主题，也是妇女解放的突破口和文学发育的生长点。关于女性婚恋观的论作不断出现，也涌现出了一些影响深远的作品，如鲁迅的《伤逝》。从当代社会看，当代女性很少再受封建礼教的压制，社会和经济地位也相应提高，理应会摆脱子君的爱情悲剧而得到幸福。但在婚恋已高度自由的背景下，越来越多的女性却深陷另一个困境——即侧重经济因素的婚恋观束缚女性婚恋并使之畸形进展。表面上这与子君的悲剧并无联系，但侧重经济因素实质上是当代女性人格不独立的外化表现。事出同因，可见这亦是悲剧。子君的悲剧和当代女性的婚恋困境产生的实因都是人格不独立。可见，人格独立对当代女性树立正确婚恋观以与引发其探究能够走出婚恋困境的出路具有重要意义。它是当代女性幸福婚恋的基础与其解放的真正出路。而女性要实现人格独立，既需要女性自我意识的觉醒，也需要全社会的关注。[关键词]《伤逝》；爱情悲剧；经济因素；当代女性婚恋观；人格独立From Tragedy to Tragedy---the Introspection of Contemporary Female Marriage by the Tragedy of Zijun in Gone LoveAbstract The female marriage has always been the issue that appealed much concern of the society. It has become the eternal issue of literature and, also the breach of women’s liberation and the vegetative point of literature development. Works concerning the women’s marriage arise ceaselessly, including some far—reaching productions such as The Gone Love by Lu Xun. Contemporary women rarely suppress by feudal ethical code in modern society as their social and economic status have been raised relatively. That means they ought to get rid of love tragedy to gain the happiness they deserve. Nowadays though under the condition of marriage highly freedom, more and more women up to the chin the other dilemma--------view on love and marriage which particular empress on the economic factors fetter contemporary female marriage and go to deform...
