《作为隐喻的家》——以家居产品设计为例探索现成品在艺术设计中的嬗变分析研究 文化产业管理专业VIP专享

摘 要随着当代的工业化生产深度发展，人们对艺术和设计的观念和形式都有了新的阐释。以现成品艺术为例，现成品一词即“Readymade”，是杜尚用来指称他所创作的那些不合传统的艺术品而发明的。现成品艺术的出现对艺术世界产生了巨大影响，现成品艺术成为了一种重要的艺术表现形式。以杜尚为代表开始使用现成品作为创作媒介的装配艺术、废品雕塑和波普艺术等流派都有了一个共同的趋势，很多艺术家利用现成品作为艺术创作的基本材料，并放弃了杜尚那样简单挪用的手法，对现成品的使用和探究趋向多维度的状态。作者以“现成品”为原型，通过“再设计”的设计手法，以家具产品设计为方向，尝试构建出新功能、新形式、新结构，并赋予作品全新的概念与意义。关键词：现成品；再设计；家具设计 AbstractWith the profound development of modern industrial production, people have a new interpretation of art and design from concept to form. In the case of ready-made art, the ready-made word, “Readymade,” was invented by Duchamp to refer to his unconventional works of art. The emergence of ready-made art has had a huge impact on the art world. Nowadays, finished art has become an important form of artistic expression. The genre of assembly art, waste sculpture, and pop art, where Duchamp was used as a representative to start using ready-made products as a creative medium, has a common trend. Many of them use ready-made products as basic materials for artistic creation, and they give up. Duchan’s simple diversion of tricks tends to open up the use and exploration of ready-made products. The author takes “ready-made products” as a prototype, adopts “re-design” design techniques, and takes furniture product design as a direction, tries to construct new functions, new forms, and new structures, and gives the work a new concept and meaning.Key Words: Finished product; redesign; furniture design目 录一、现成品艺术..................................................