《你想要跳舞,我的小伯爵》演唱特征及情感表现摘要本文旨在从咏叹调《你想要跳舞,我的小伯爵》进行深入分析,在引言部分介绍了《费加罗的婚礼》的创作背景以及咏叹调《你要跳舞,我的小伯爵》的主要内容;第二部分重点阐述了《你想要跳舞,我的小伯爵》的音乐曲式结构、A乐段音乐曲式结构、B乐段音乐曲式结构以及再现段以及尾声音乐曲式结构分析;第三部分主要分析了《你想要跳舞,我的小伯爵》演唱过程中需要注意的几点问题,包括语言应用、音色调整、技术运用和力度与速度的处理。本文希望通过研究能够更深入的了解《你想要跳舞,我的小伯爵》这部咏叹调,为今后的音乐演唱奠定基础。关键词:《你想要跳舞,我的小伯爵》;演唱特征;情感表现Ⅰ“YouWanttoDance,MyLittleCount”SingingFeaturesandEmotionsAbstractMyLittleCount'sin-depthanalysis,intheintroductionpartintroducesthebackgroundofthecreationofFigaro'sWeddingandthemaincontentofthearia,YouWanttoDance,MyLittleCount;thesecondpartfocusesonthemusicalcompositionofYouWanttoDance,MyLittleCount,theA-segmentmusicalstructure,theB-segmentmusicalstructureaswellasthereenactmentandtheendmusicalformanalysis.Thethirdpartmainlyanalyzessomeproblemsthatneedtobepaidattentiontointhesingingprocessof"youwanttodance,mylittlecount",includinglanguageapplication,toneadjustment,technicalapplicationandthehandlingofstrengthandspeed.Thisarticlehopestogetadeeperunderstandingofthearia"YouWanttoDance,MyLittleCount"andlaythefoundationforfuturemusicsinging.Keywords:"YouWanttoDance,MyLittleCount";singingcharacter;emotionalexpressionⅡ目录摘要...............................................................ⅠAbstract............................................................Ⅱ一、绪论.............................................................1二、《你想要跳舞,我的小伯爵》的分析与研究...............................2(一)音乐曲式结构图示.............................................2(二)A乐段音乐曲式结构分析........................................2(三)B乐段音乐曲式结构分析........................................3(四)再现段以及尾声音乐曲式结构分析...........................................................................4三、《你想要跳舞,我的小伯爵》的演唱特征与情感表达.......................................................4(一)演唱特征......................................................................................................................4(二)情感表达......................................................................................................................5四、演唱过程中应注意的问题.......................................................................................................5(一)语言应用......................................................................................................................51.双辅音的运用...............................................................................................................52.元音的运用...................................................................................................................53.大舌颤音的运用...........................................................................................................6(二)音色调整......................................................................................................................6(三)技术运用......................................................................................................................7(四)力度与速度的处理....