1 黄自艺术歌曲的创作风格及《玫瑰三愿》的演唱分析摘要中国艺术歌曲发展于上个世纪20 年代 , 当时中国产生了许多优秀的艺术歌曲, 受到西方音乐艺术的熏陶, 中国民族音乐越发具有兼容并蓄的特征,对于与西方音乐艺术的融合,对歌唱艺术的中西合璧,以突出中国歌曲在内涵上的感染力,这些问题是作曲家们孜孜追求的民族音乐创作要点,黄自是这些音乐家中的一个代表。黄自先生以34 个春秋的短暂一生 , 尤其是在回国后仅约十年的音乐活动中, 其对专业音乐专业化发展奉献了一生心血,虽然他的一生是短暂的,但对我国音乐艺术发展所做的贡献是功勋卓著的,至今其创作的脍炙人口的歌曲仍然被人们广为传唱。身为一位受人景仰的作曲家,用创作的作品证明了丰富的学识涵养与敏感的艺术直觉,这两种事物看起来有明显反差,实际在本质上是相通的,能够实现艺术的聚合,验证了中西方文化是可以在求同存异中融合发展。从其创作作品类型来看具有代表性的是抒情歌曲,《玫瑰三愿》是其中一朵最眼力的奇葩,对艺术歌曲演唱具有尤为重要的研究意义。关键词: 黄自艺术歌曲《玫瑰三愿》2 The style of Huang Zi's art songs and the analysis of "three roses" ABSTRACT Chinese art song development in the last century in 20s, when China produced many outstanding art songs, has been to the national music style and the western China art form perfect together, to achieve the art of singing "Western coexist", make better performance to enrich the connotation of China songs, more rich appeal, thinking and creation of numerous composers, one of which is yellow. Mr. Huang Zi in the short life of 34 years, especially in the back only about ten years in music activities, has made an indelible contribution to the development of our country's professional music creation, many people still sung art songs. As a composer he, by virtue of their artistic intuition and knowledge conservation, in the creation of the two, seemingly great contrast, but the essence of art interlinked together with his art, to realize the connect...