摘 要音的运动都是由和声与旋律而组成，旋律往往经过和声的构思而形成音，而又在一定的调式、节拍的基础上。和声具有一定的逻辑思维规律，而旋律在这一逻辑思维的规律里中发展形成。我们在演奏时不仅仅是对作品的旋律学习，还要对内在的和声研究，我们不仅要考虑和声的逻辑还要考虑旋律的线条才能更深刻的理解作品。在钢琴演奏中我们为了达到预计的效果，我们需要经历对和声与旋律的磨炼来完成，达到和声与旋律平衡。钢琴演奏和声与旋律的平衡我们是不能小看其中的价值的，因为人们在对和声与旋律平衡的基础之上去达到演奏的效果，不会出现在演奏过程中重视了和声的发展进行、色彩等一系列，从而忽视了旋律的多种多样。关键词：钢琴演奏;和声;旋律;平衡AbstractSound movement is composed of harmony and melody, Melody often pass through the concept of harmony and form, and also on the basis of certain modes, rhythms. Has some logical law of harmony and melody in this logical law developed. We study not only works when playing melodies, and study of inner harmony, we must consider not only the logic of harmony but also the melody line to a more profound understanding. In order to achieve the expected results in the piano, and we need to experience the harmony and melody honed to accomplish, achieve balance between harmony and melody.Piano harmonies and melodies we cannot underestimate the value of balance, because people in the harmonies and melodies based on the balance of play to achieve results without emphasis on harmony development during the playing process, color series, thereby ignoring the melodic variety.Key words: piano melody, harmony, and balance目 录TOC \o "1-3" \h \u HYPERLINK \l _Toc22776 摘 要 IHYPERLINK \l _Toc16379 Abstract IIHYPERLINK \l _Toc4237 目 录 IIIHYPERLINK \l _Toc12209 引 言 1HYPERLINK \l _Toc31400 一、 关于和声与旋律 2HYPERLINK \l _Toc20429 （一）旋律与和声的定义 2HYPERLINK \l _Toc24752 1、旋律 2HYPERLINK \...
