论文题目(Title)“”—功能对等视角下三美论的体现以许渊冲英译李清照词为例TheEmbodimentof“ThreeBeauties”PrincipleundertheViewofFunctionalEquivalence:ACaseStudyofXuYuanchong’sTranslationofLiQingzhao’sCiPoems中心论点(ThesisStatement)：本论文主要通过奈达的功能对等理论，来分析许渊冲对李清照词的翻“”译，从而体现出许渊冲的三美理论ThesisStatement：ThispapermainlyanalyzesthetranslationofLiQingzhao’sCipoemsbyNida'sFunctionalEquivalenceTheory,whichreflectsYuanchong’s"ThreeBeauties"principle.本研究目的和意义:目的：“本研究旨在研究许渊冲对李清照词的英译，体现出他的意美、”音美、形美理论对中国诗词翻译更具有针对性，从中找出宋词的翻译技巧，为西方读者提供优越的翻译版本。Purpose:ThispaperaimsatmakingastudyofXuYuanchong’stranslationofci-poemscomposedbyLiQingzhao,andreflectshistheoryof“beautyinsense,soundandform”ismoretargetedtotheChinesepoetrytranslation,aswellasfindsthetranslationskillsofSongCi,soastoprovidethewestreaderswithsuperiortranslationversions.意义:宋词是中国几千年古典文化的珍贵遗产和积淀，以其独特的艺术魅力在文学史上占有重要地位。而李清照是我国历史上杰出的女作家，一生跨越南北两宋，对我国古典诗词发展产生了深远影响，是中国古代文学创作的代表。因此，对其进行翻译研究有助于把中国文化更好的对外传播。此外，用功能对等理论作为理论基础，从不同方面分析许渊冲对李清照词的翻译，从而对李清照的词以及宋词有更好的研究。Significance:SongCiisthepreciousheritageandaccumulationofChineseclassicalcultureforthousandsofyears,occupyinganimportantpositioninthehistoryofliteraturewithitsuniqueartisticcharm.LiQingzhaoisoneofthemostoutstandingfemalewritersinancientChina.HerlifespansbothNorthandSouthSongdynasties.ShehasaprofoundinfluenceonthedevelopmentofclassicalChinesepoemsandisrepresentativeofChineseancientliterature.Therefore,thestudyofitstranslationwillhelptobetterspreadtheChineseculture.Furthermore,withtheFunctionalEquivalenceTheoryasthetheoreticalbasis,wechooseanalyzingXuYuanchong’stranslationofLiQingzhao’sCipoemsfromdifferentaspects;weintendtofindpossiblerulesandpatternsintranslationofLiQingzhao’sCipoems.AlltheseeffortsareofgreatsignificanceonthetranslationofLiQingzhao’sCipoemsandSongCipoemsasawhole.本研究的理论意义（国内外文献综述）:DomesticResearch:ThefirsttranslationofCiPoemsofLiQingzhaowasdonebyBingXininhergraduatethesisforamaster’sdegreein1926,inwhichshetranslatestwentyfiveCiPoemsofLiQingzhao.ChuDagaowasalsoamongtheearliesttointroduceLiQingzhao’sCiPoemsintotheEnglishworld.Fromthenon,itwasuntil1960sthatappearedtwotranslatedversionsandallthetranslatedversionswerepublishedinAmerica.TillnowininlandXuYuanchongistheonlywhohastranslatedallthesixtyCiPoemsofLiQingzhaoinLiteratureandTranslationpublishedin2003.AsthetranslationpracticeproceededinChina,thetranslationstudiesonLiQingzhaocameintobeingintheearly1980s.In1981,XuYuanchongpublishedaresearcharticle,TheCriteriaofTranslationinwhichheintroducedthefamous“ThreeBeauties”Theory.Fromtheverystart,Prof.Xusetaveryhighstandardofpoetrytranslation“beautyinsense,beautyinsoundandbeautyinform”.Itisaveryconcreteandcomprehensivetheoryofpoetrytranslation.国外研究：Asamatteroffact,scholarsabroadhavealsomadeathoroughandoverallstudyoverthetranslationofLiQingzhao’sCi.Ofalltheseoverseastranslators,KennethisdefinitelyoneoftheprominentonesinbringingLi’sworkstothewesternworld.WithSanFranciscoRenaissanceasthehistoricbackground,Kennethtookhisfirstattempttotransla...
