贾平凹艺术审美观念探析The analysis of concept Jia Pingwa’ artistic aesthesis目 录摘 要..............................................................1关键词..............................................................1Abstract.............................................................1Key words...........................................................1序言................................................................2一、 贾平凹审美观念在文学作品中的表现...............................2（一）语言朴拙，多用方言、土语......................................2（二）塑造畸形人物表达文化隐喻......................................4（三）审美转向“脏”与“丑”........................................6二、 贾平凹审美观在书画作品中的表现.................................7（一）书法：侧锋用笔，线条粗笨......................................7（二）绘画：境界独到，笨拙自然......................................8结语................................................................8参考文献:...........................................................9致谢...............................................................101贾平凹艺术审美观念探析摘 要：贾平凹的艺术审美观念从创作初期的“审美”转变为现阶段的“审丑”，经历了一个复杂的探索期，直到九十年代后期基本形成。此后他的“审丑”观念广泛表现在他的各类作品中。本文以贾平凹的具体作品及相关研究资料为依据，试图通过对贾平凹文学作品中方言土语的运用、畸形人物的塑造、“脏”与“丑”的描写和书法作品中线条的构成、闲散的布局，绘画作品中夸张手法的运用、独到意境的创设等方面来分析贯穿于他的各类艺术作品中的“审丑”观念。关键词：贾平凹；审美观念；语言朴拙；畸形人物；线条粗犷；不和谐Abstract：The art aesthetic conception of Jia Pingwa has transformed from the "aesthetic " at his early creation stage to the appreciation of ”ugliness " now, which has undergone a complex exploration period and been basically formed until the late nineties. Since then his " ugliness " concept has been widely ref...
