上饶师范学院美术与设计学院毕业论文题目:元代山水画的美学特征学生姓名：徐青专业：美术学班级：09美（1）指导教师：彭尊善二○一三年三月摘要元代将中国山水画推向了一个高峰，以元四家为表的山水画对后世的影响很大。近代，随着山水画的不断发展，山水画的美学特征也受到越来越多的人的重视，为了探索如何完善山水画的美学特征，为以后的研究提供方向。本文首先介绍了元代的时代特征，然后通过对比列证论证以文入画，以画释道的美学特征，接着论证人品与画品的关系，从侧面论证文人隐士重视其中自身的修养，伦理的1美学特征；其次是倪瓒山水画表现出“逸”的美学特征，以及进一步通过举列法论证“逸笔草草与似与不似“的美学特征；最后论证是赵孟頫提出的“以书入画”“古意”的美学特征。中国的山水画不仅表现是人文气息，更多的是表现其内在美学特征，这有助于我们树立一个正确的美学观，对作品会有更深层次的理解。关键词山水画；逸笔；以书入画；不求形式，古意AbstractTheChineselandscapepaintingintoapeak,withfouryuanfortableeffectoflandscapepaintinginthelatergreat.Inmoderntimes,withthedevelopmentoflandscapepainting,aestheticcharacteristicsoflandscapepaintinghasbeenpaidmoreandmoreattentiontohowtoimprovetheaestheticfeatures,explorethelandscapepainting,providedirectionforfutureresearch.ThispaperfirstintroducesthecharacteristicsofthetimesintheYuanDynasty,thenthroughthecomparisonofargumentinthepicturesquecolumns,todrawreleaseaestheticcharacteristicsofTao,thenprovetherelationshipbetweenpersonalityandartisticquality,attentiontotheself-cultivationfromthesidethatliteratirecluse,aestheticcharacteristicsofethics;secondistheNiZanlandscapepaintingshow"aestheticcharacteristicsofYi",andfurtherbylistmethodargument"leisurelypenandthelikeanddonotlike"aestheticcharacteristics;finallyarguesisputforwardbyZhaoMengtiao,"artbook""old"aestheticfeatures.Chineselandscapepaintingnotonlyistheculturalatmosphere,moreistheperformanceofitsinherentaestheticcharacteristics,whichishelpfulforustoestablishacorrectaestheticview,theworkswillhaveadeeperunderstanding.KeywordsLandscapepainting;Yibi;Amalgamationofpaintingandcalligraphy;Ignoringitsform;Ancientartisticconception目录绪论···························································1一以文如画以画释道···········································1(一)文人隐逸与画以言志·································2·······3（二）元代人品与画品的特殊性···································4二逸笔草草，抒情写意··········································4（一）逸格画品的确立·········································5（二）“逸笔草草”与“似与不似”······························6三笔情墨趣的独立审美··········································7（一）赵孟頫“以书入画”及元代笔墨的独立审美··············8四崇古尚雅···················································8（一）古意与赵孟頫的“古意论”·································9结语·························································10参考文献·····································...
