摘 要《在山神殿中》选自格里格为戏剧《培尔·金特》配乐的《第一组曲》，是该组曲的第四部分。文章首先介绍了《培尔·金特》的创作背景，易卜生创作的诗剧对格里格创作配乐的影响；后对《在山神殿中》的曲式结构进行曲谱和文字分析，以期给后续部分提供理论支撑；第四部分，论述了分析了钢琴曲《在山神殿中》的演奏技法为重点，包括对复合节奏对位、跳音演奏、八度断奏、快速跑动练习、踏板运用的演奏技法；最后，探讨了《在山神殿中》演奏过程中可能会出现的难点，并提出了通过针对性训练来解决演奏难点的解决方法。关键词：在山神殿中、里格、钢琴改编、演奏技法AbstractIn the hall of the mountain king is selected from Grieg's play bel gent, which is a classic work of Edward hagalup Grieg. It's a piece of music with fantastic scenes. Pel gent is surrounded by some demons in the forest at night. At first, the demons entertained him, then played tricks on him and played tricks on him until dawn. Music is gloomy and grotesque. It reminds people of the monotonous and weird dances of the demons.This paper discusses the creation background of "in the mountain god temple", including the period background of Grieg's life and the influence of this Iperiod on the author's creation. It focuses on the analysis of the form and structure of "in the mountain god temple" and the performance techniques of piano music "in the mountain God Temple", including compound rhythm counterpoint, skipping performance, eight degree staccato, fast manual practice and pedal application In the end, the paper puts forward the common difficulties and solutions in this piano music.On the one hand, the first and second suites of the piano adaptation of pel gent are closer to Grieg's most creative works. In view of this problem, the author will make in-depth understanding and Research on the piano playing of this work. In order to acad...
