摘 要《在山神殿中》选自格里格为戏剧《培尔·金特》配乐的《第一组曲》,是该组曲的第四部分
文章首先介绍了《培尔·金特》的创作背景,易卜生创作的诗剧对格里格创作配乐的影响;后对《在山神殿中》的曲式结构进行曲谱和文字分析,以期给后续部分提供理论支撑;第四部分,论述了分析了钢琴曲《在山神殿中》的演奏技法为重点,包括对复合节奏对位、跳音演奏、八度断奏、快速跑动练习、踏板运用的演奏技法;最后,探讨了《在山神殿中》演奏过程中可能会出现的难点,并提出了通过针对性训练来解决演奏难点的解决方法
关键词:在山神殿中、里格、钢琴改编、演奏技法AbstractIn the hall of the mountain king is selected from Grieg's play bel gent, which is a classic work of Edward hagalup Grieg
It's a piece of music with fantastic scenes
Pel gent is surrounded by some demons in the forest at night
At first, the demons entertained him, then played tricks on him and played tricks on him until dawn
Music is gloomy and grotesque
It reminds people of the monotonous and weird dances of the demons
This paper discusses the creation background of "in the mountain god temple", including the