声音可视化音流学艺术应用研究

下载后可任意编辑摘 要处于新媒体技术之中，音乐可视化收获了较大的进展，随后，作为其分支之一的音流学亦缓缓地走入了大众的视野之中。声音可视化很好地融合了视与听，它以视觉为关键部分，将声音视为载体，并让大众在其中充当诉求对象，经新媒体技术等等各大传播渠道，运用画面以及影像来完成对音乐内容的说明。它可供给一类绝佳的视觉呈现技术来为解读和比照出音乐作品其形态所具的表现力、内部与外部结构而服务。从新媒体艺术诞生至今，其创作模式总体而言皆是把视觉当作其中心并辅以听“”觉，运用与日俱进的技术方法以呈现 声画合一 。现如今，在科技的突飞猛进之下，科技和艺术间的融合亦愈趋普遍。声音可视化亦顺理成章地进入了大众的视野中，而在启发大众智慧的能力上，这类声像共同体亦精进不少。尽管针对音流学的讨论起始于 19 世纪，但纵观声音可视化的整体推动历程，音流学真正为大众所熟悉并融于声音可视化的时间尚短。另外，因特网的迅猛推动亦给声音可视化的传扬敞开了方便之门。图像和声音间的融合也愈趋密切，此外它们互相融合的作品也愈发为公众所重视。“”在本篇文章中，作者亦会用个人薄见就 声像合一 课题点出本人的讨论以及浅显见解。关键词 : 音流学、声音可视化、结合、克拉尼图形下载后可任意编辑ABSTRACTIn the new media technology, visual music has developed a big step, and sound science as a branch of Music Visualization inside, but also with the development direction of gradually into people's vision.Sound visualization, refers to a kind of vision research as the core, to sound as a carrier to the public as the demands of the object, with the new media technology and other technologies as the media, through images, image interpretation of music, sound content. He can provide an intuitive visual representation for understanding, analyzing and comparing the expressive power of musical forms and the internal and external structures of musicSince the beginning of the new media art, his creative models are mainly based on the vision, the auditory sense, and by means of the rapid changing techniqu...