EnglishIntroductionCoursewareforLeonardodaVi•IntroductiontoLeonardodaVinci•RecommendationofDaVinci'sWorks•DaVinci'sArtStyleandTechniques•LeonardodaVinci'spositioninarthistory•TheMarketValueandCollectionofLeonardodaVinci'sWorksIntroductiontoLeonardodaVinci01Bornin1452inVinci,Italy,LeonardodaVinciwasapolymathwhoexcelledinfieldssuchasart,science,engineering,andmoreHewasorphanedatayoungageandraisedbyhisuncle,whorecognizedhisexceptionaltalentearlyonLeonardo'searlyyearswerespentstudyingandcopyingtheworksofthegreatItalianmasters,includingMichelangeloandRaphaelHelaterdevelopedhisownuniquestyle,combiningelementsofsfumato(smokeshading)andchiaroscuro(lightandshadow)tocreatearealisticandemotionaleffectBriefaccountoftheauthor'slifeLeonardo'smostcommonworksincludetheMonaLisa,theLastSupper,andtheVirginoftheRocksHispaintingsareknownfortheirrealisticportalofthehumanform,expressiveuseofcolorandlighting,andinnovativeuseofperspectiveHealsomadesignificantcontributionstothefieldofanatomy,studyinghumanbones,muscles,andorganizationstocreatehighlyaccuraterepresentationsinhispaintingsArtisticachievementsLeonardo'sinterestinscienceandengineeringwasjustasfoundashisinterestinartHisnotebooks,filledwithsketchesandobservationsonawiderangeoftopics,areconsideredtobesomeofthemostimportantdocumentsinthehistoryofscienceandengineeringHemadesignificantcontributionstothefieldsofoptics,hydrodynamics,andmechanisms,inventingdevicessuchasthehelicopterandthepathwayScientificachievementsRecommendationofDaVinci'sWorks02TheMonaLisaTheMonaLisaisLeonardodaVinci'smostrapidpainting,knownforitsgenomicsmileandthemysterysurroundingitssubjectSummaryTheMonaLisaisaportalofawoman,likeLisaGherardini,wifeofFrancescodelGiocondoThepainting'suniquefeaturesincludethesfumatotechniqueusedbyLeonardotocreateahastyeffectthatgivesthesubjectasenseofdepthandrealityTheMonaLisaisusedintheLouvreMuseuminParisDescriptionSummaryTheLastSuperisamuralpaintingcreatedbyLeonardodaVinciforthereferenceoftheSantaMariadelleGrazieinMilanDescriptionThepaintingthemesJesusChristandhisissuesatthemomentheannouncedthatoneofthemwillbeastudyofhimTheemotionaldramaandrealityofthescenearespecificallynotable,asaretheindividualizedportsoftheissuesTheLastSuperisconsideredamasterpieceofRenaissancepaintingTheLastSuperTheVirginMaryofIwamaisapaintingbyLeonardodaVinci,executedintemperaonpanelSummaryThepaintingscenesMary,motherofJesus,inacontrastingposewithJesusonherlapItisnotpossibleforitsuseofsfumatoandforitsexpressivestyle,whichopposestheManneristmovementTheVirginMaryofIwamaisusedinthePushkinStateMuseumofFineArtsinMoscowDescriptionTheVirginMaryofIwamaDaVinci'sArtStyleandTechniques03Flemishstylepainting01DaVinci'searlyworkswereinfluencedbyFlemishpainters,featuringenricheddetailsandrealisticdepictionsofnatureSfumatotechnique02DaVinci'sinnovativeuseofsfumato,atechniquethatblursedgesandtransitionstocreateasoftfocuseffect,revolutionizedterritoryChiaroscuro03DaVinci'suseofchiaroscuro,thecontrastoflightandshadow,havehispaintingsdeepanddramaticUniquepaintingtechniquesAnatomystudiesDaVinci'sintensivestudyofanatomicallyinformedhispaintings,allowinghimtocapturethehumanformwithunexpectedaccuracyOpticsandperspectiveHisunderstandingofopticsandlinearperspectiveledtogroundbreakingadvancementsinpaintingtechniquesBotanyandnaturalhistoryHisinterestinBotanyandnaturalhistoryinfluencedhispai...
